Herge's was an art of subtraction - of doing more with less - but that seems to have eluded Spielberg and Jackson.. It should win over the uninitiated, and work quite well for those who have already pitched their tents in the Tintin camp.. It adequately re-creates the comics' Dickensian characterization, and every frame brims with clever details. But once the action begins, Spielberg's incessant, force-fed "fun" quickly gets exhausting.. Motion capture, which transforms actors into cartoon chara...
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